Since we were monkeys (or before) we have fallen sorcerers before the powerful influence of the natural satellite of the earth, it has always seemed to us that, beyond the influence of the tides or that inconstant nocturnal luminosity, its power over the earth or over its inhabitants was much greater than everything we know about it Then the twentieth century arrived and we went up to step on it to see it up close, and we realized that the number of answers it gave us was less than the number of questions it provokes

Sometimes we become obsessed with pursuing knowledge but not always in it is the happiness that we all seek, there is always a moment of a subject that we do not want to know more about and we ask that we do not know more, we do not want to know

The plant birth is always a lesson of time and life. Of time because it occurs beyond the time in which our eyes look, slowly and surely, but formidably beautiful, perhaps this constancy in the production of beauty is what we give the life lesson

It is the only one of the songs that is culled from a previous album (the voyage of the Fram). After many preparations (including the construction of a ship never made), in the end the ship goes to sea ...... that's how it began this story, whose milestones I speak to you musically in "El viaje del Fram" and that you can listen to on this page. In a way it is the triumph of madness over reasonable circumstances, it is, as such, the realization of a dream

In front of the instrumental displays, which frequently present other compositions of mine, here a solo piano accompanies a quartet of voices, where I sing with me thanks to the miracles of the multitrack (the same one that helps me to be the only instrumentalist in all of them) . It can really be a song to life, since all, to a greater or lesser extent, and in one episode or another, are in the making, in the realization of something, hence the name of the song

It is a theme of the collection of scores "Next Landscapes". A jet of water caused by the thaw of the nearby mountains, for many years was practically the only source that supplied (and still does so in rainy or cold years) to the entire fauna of “La peña del Águila”. Like water, it irrigates both the original components and the later human colonization +

A mathematical concept (repeating structures) gives rise to this theme, the score of which took me a long time to elaborate, despite the instrumentation, which was not very complicated in principle. Although later there has been talk of "fractal music", this is not the case, a flight on saxophone, leads us on track by other melodic senses

The question was ... how do you imagine the terrain you step on before its foundation could be ... or in the foundation itself? What concepts were studied in geology and biology of the terrain? How did the founders dream it? This and much more encouraged me to write this song, also included in the collection of scores "Paisajes Próximo"