From a very young age I was trapped by this "maremagnun" of feelings that some call music and from which few people want to be rescued. When I was a few years old, I already belonged to choirs, rondallas ... later, choral groups, root music came ..., I was known about the guitar, some flute, some percussions, the canary timple, the lute, the oud, the rab-abbel ... later I would come the magnificence of the grand piano, wide under my rickety fingers. I say they knew me because even today, I inquire every day to know them. Information and training, in abundance, there is no choice. The first music for theater was born
It was barely into the tumultuous 90's when I made the first contacts (or they took it with me, you know) with synthesizers, mixers, cables, many cables and ... the computer revolution that expanded fields and merged them in the first multitracks and digitizations where (oh miracle) everyone could play with himself. Also the first multi-style bands and the first rock-pop bands that I got caught up in behind an electric bass.
At the beginning of the 2000s the cinema, or music for cinema and audiovisuals to better say, invited me to look inside ... and I discovered a whole paradise, a ship from which I did not want to get off either
Hence, from the “no resignation”, from the multiple languages of each and every one of the instruments, from opening a mind that has already been open in the channel since childhood ... energy is born, more by fusion than by frisation, it is the music you are about to listen and I hope you enjoy
We all have memories.
After thirty years as Pedro Fdez, making my music (or my music, due to the musical disparity) as I like to call them, it would be strange if I didn't have them
I have thought that this 2020 that besieges us and more particularly the month of August, is a propitious moment to bring to light those memories and those recordings, remove the dust and repair them as far as possible, making the original ideas shine more
This is where this bunch of “instrumental songs in disparate environments” come out, with which I would like to entertain you and which, for the most part, were not framed in any Previous CD and which I now allow myself to show you in that remix and remastering. As with all previous albums, this album is fully composed, instrumented and recorded instrument by instrument by me. Do not look, therefore, for other culprits
Likewise, I am attaching the presentation videos on their day so that you can compare the sound qualities and, be it you who chooses how to listen to them.
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